עכשיו 11/08/25 13:40

פרסם תגובה פרסם נושא חדש עמוד 1 מתוך 2   [ 12 הודעות ]
עבור לעמוד 1, 2  הבא
מחבר הודעה
 נושא ההודעה: CES 2013
הודעהפורסם: 10/12/12 20:50 
חבר האתר

סמל אישי של המשתמש

הצטרף:
21/09/08 04:12

הודעות: 7061
הרבה מוצרים חדשים הולכים לצאת בתערוכה השנה
כגון:
Veloce Audio hybrid Saetta
YG Acoustics Sonja.
וכמה DAC חדשים ועוד הרבה דברים הרבה טובים, השנה הולך להיות מעניין במיוחד.

כמו כל שנה אני מארגן ארוחת ערב עם המשתתפים שבאים מהארץ, אם יש מישהו כזה שרוצה להשתתף שרשרו פה או שלחו לי מסר.

נתראה בתערוכה. (Y)

נ.ב
השנה ב THE SHOW יציגו שוב פעם הקלטה לייב ושחזור במערכת סטראו, מי שמעוניין להגיע אנחנו מתארגנים להגיע להדגמא כולם ביחד על מנת להשוות רשמים.

_________________
Speakers: Wilson Alexandria X-2.2 Preamp: Momentum HD Preamplifier Amp: Dan D'Agostino Momentum Stereo Amplifier Source: MSB Analog DAC with Analog Power Base and Premium QUAD USB2 Cables: Transparent Reference XL MM2


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 11/12/12 20:24 
חבר האתר

סמל אישי של המשתמש

הצטרף:
01/09/08 15:14

הודעות: 33194
תעשו חיים (F)

_________________
ביוגרפיות , עם קלאסי ואלגנטי , פשוט לא הולכים לעבוד.
I have been supported from the bottom of my heart
בוכה דה פלורסנט


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 11/12/12 20:28 
חבר האתר

סמל אישי של המשתמש

הצטרף:
21/09/08 04:12

הודעות: 7061
תודה אלוני

אפשר בבקשה לנעוץ את זה עד לינואר?

_________________
Speakers: Wilson Alexandria X-2.2 Preamp: Momentum HD Preamplifier Amp: Dan D'Agostino Momentum Stereo Amplifier Source: MSB Analog DAC with Analog Power Base and Premium QUAD USB2 Cables: Transparent Reference XL MM2


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 11/12/12 20:28 
חבר האתר

סמל אישי של המשתמש

הצטרף:
01/09/08 15:14

הודעות: 33194
בוא נקפיץ כל יום :)

_________________
ביוגרפיות , עם קלאסי ואלגנטי , פשוט לא הולכים לעבוד.
I have been supported from the bottom of my heart
בוכה דה פלורסנט


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 17/12/12 23:21 
חבר האתר

סמל אישי של המשתמש

הצטרף:
21/09/08 04:12

הודעות: 7061
מקפיץ +


לכל חובבי ההגה שגם אודיופילים

הצלחתי להשיג דיל במסלול שאני די רגיל אליו, מי שרוצה להירשם שיודיע לי עד סוף השבוע, נותרו 4 מקומות בלבד.
הדיל כולל פררי 430 + כל הציוד הדרוש + ביטוח 7 סיבובים על המסלול הכל תמורת 299$.
http://www.exoticsracing.com/Ferrari/fe ... ence_1.htm

מי שלא יודע לנהוג מקבל הדרכה ומורה שישב לידו ומי שמומחה ישתולל לבד.
וידאו שלכם נוסעים ומתלהבים תמורת 75$ נוספים.

אז קדימה, אודיופילה ומכוניות באותו היום!


_________________
Speakers: Wilson Alexandria X-2.2 Preamp: Momentum HD Preamplifier Amp: Dan D'Agostino Momentum Stereo Amplifier Source: MSB Analog DAC with Analog Power Base and Premium QUAD USB2 Cables: Transparent Reference XL MM2


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 21/12/12 00:29 
חבר האתר

סמל אישי של המשתמש

הצטרף:
21/09/08 04:12

הודעות: 7061
מקפיץ



+
Available dates:
March: 9, 10, 16, 17, 23, 24
June: 22, 23, 29, 30
October: 19, 20, 26, 27

https://www.livingsocial.com/events/556 ... experience

מי שנמצא בתאריכים של הדיל הנ"ל בקליפורניה חייב את זה לעצמו, קנו לפני שיגמר.

_________________
Speakers: Wilson Alexandria X-2.2 Preamp: Momentum HD Preamplifier Amp: Dan D'Agostino Momentum Stereo Amplifier Source: MSB Analog DAC with Analog Power Base and Premium QUAD USB2 Cables: Transparent Reference XL MM2


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 03/01/13 20:34 
חבר האתר

סמל אישי של המשתמש

הצטרף:
21/09/08 04:12

הודעות: 7061
עוד משהו חדש ומעניין השנה:

The VAC iQ Intelligent Continuous Automatic Bias System


The VAC iQ System of intelligent continuous automatic bias (patent pending) is the result of 18 years of research and development by the engineers at VAC and represents the first time in history that each tube in the output stage of a vacuum tube amplifier is held at the optimal bias point (quiescent current) at all times, regardless of how loudly or softly the music is playing.

The result is sound that is always the best it can be, reduced distortion and noise, and elimination of tube failure drama, all without any effort by the user.

The VAC iQ Intelligent Continuous Automatic Bias System is, to put it mildly, a very big deal.

Background
When one “sets the bias” of an amplifier, one is adjusting the quiescent current of the output tube; audiophiles generally call this the idle current, while engineers note it as “Iq” (I standing for current, q for quiescent). It is the Iq that sets the operating mode (Class A, AB, or B) of a given output stage. A typical Iq for a KT88 tube would be 60 milliamperes, and listing tests have shown that variations of as little as 1 milliampere are audible.

In prior state-of-the-art, output tube Iq is set by one of two approaches, known by as “fixed bias” and “cathode bias” (also known as “self bias” and sometimes incorrectly called “automatic bias” or “auto bias”). In this former approach, a negative voltage (relative to the cathode voltage), which may be adjustable in spite of the name “fixed”, is applied to the control grid of the tube; the more negative the voltage, the lower the Iq. In cathode bias, the grid is held at DC ground potential and the cathode of the tube returns to ground through a large resistance, such that the current flowing through the tube causes the cathode to rise to a positive voltage relative to the grid, such that the grid again is negative with respect to the cathode. Cathode bias has something of a self-centering action but is far too weak to establish and maintain precise Iq.

If Iq is set too low, sound quality suffers. If Iq is set too high, the chance of “run away” tube failure is increased. Between these two points, variations of less than 2% are distinctly audible.

Operation
If tubes were perfectly stable devices, one could set the bias once and never think of it again. In practice, the Iq of a tube varies with warm-up, with power line voltage, with the temperature of the output transformer, with age, with the volume of music being played through it, and randomly. Some of the variations are minor, and some happen over long periods of time, but one way or another, Iq should be watched and adjusted, both as a matter of sound quality and reliability.

The Difficulty
At first, this would seem like an easy problem to solve: just have an automatic circuit keep measuring the DC and adjust it all the time. The problem is that no conventional technique allows for this because of a characteristic of the tube called the “rectification effect”. Even though a vacuum tube is much more linear than a transistor, it is not perfectly linear, and that small nonlinearity causes part of the audio signal to appear as a DC component when you try to measure Iq while music is playing. This is the rectification effect, and it is inherent in all existing amplifying devices (tube and transistor) to some degree and is quite extreme whenever a tube reaches cut-off, as happens in all Class AB and Class B amplifiers as well as when an amplifier reaches it maximum power output (i.e., when it “clips”).

Many approaches were explored at VAC. One of the most appealing at first blush was to measure the DC plus audio signal and then subtract the measured audio signal from it, on the theory the (DC + AC) – AC = DC. As it turns out, this does not work due to the fact that musical waveforms are asymmetrical, and the location of the waveform’s true zero crossing, which is lost when the DC is removed, changes the measured RMS value of the energy present.

Other Approaches / Prior Art
Some other approaches to automatic bias have been tried, and there are some amplifiers that do not have bias adjustments and thus seems automatic. The most prominent of these are now briefly summarized.

1) Cathode bias. As previously noted, cathode bias provides some inherent correction, steering the Iq toward a desired point, but without the strength of action and precision needed. There is a second problem caused by the bypass capacitor which must by used around the cathode resistor, which is that it is charged up by any present rectification effect. The result is that when the amplifier enters Class AB operation or is clipped, the capacitor charges to a higher voltage; the bias voltage rises and the Iq is reduced, driving the amplifier toward Class B operation, and in some cases, beyond, with very high resulting distortion. Under some circumstances, the amplifier will produce high distortion for several seconds after it exits clipping.

2) Some designers have placed a constant current source in place of a cathode bias’s cathode resistor. Unfortunately, cathode current must vary for amplification to take place, and in the end, the same basic problem with rectification effect occurs.

3) Some designers run their output stage very close to Class B, with Iq in the 10-20 milliampere range. Part of the theory here is that even if the tube drifts, it is unlikely to drift so far as to cause a catastrophic tube failure. Of course, operation isn’t really optimized, and Class B operation has some significant sonic penalties. In some amplifiers, massive amounts of negative feedback are used to lower measured distortion; in others, things like DC restorers and other older techniques are applied in attempt to reduce the distortion somewhat, to small effect.

4) A few manufacturers use an active circuit, usually a “set and hold” logic controller, to set bias during the amplifier’s turn-on cycle, and then hold that setting thereafter. The problem, as anyone who has adjusted a tube amplifier knows, is that a tube’s idle current changes a lot within the first half hour of operation. Thus, an amplifier that employs this type of “automatic self-regulation” is guaranteed never to be operating optimally. Due to this fact, additional protection circuits are added to detect tubes that run away due to the lack of continuous automatic bias optimization.

5) As a side note, in the world of solid-state amplifiers, one often encounters adaptive sliding bias schemes. In such cases, the designer is not attempting to hold an optimal, steady Iq, but rather is intentionally varying it, trying to prevent cutoff from occurring for more than a fraction of a second at a time, effectively keeping the amplifier as close to a Class B Iq as possible while still being able to claim some sort of Class A operation. This is altogether different than the intention or operation of the VAC circuit.

The VAC iQ Intelligent Continuous Automatic Bias System
After sixteen years of research, VAC reached the conclusion that is was not mathematically possible to achieve an automatic bias circuit that was theoretically precise. It was at that point that a new insight arose, giving rise to a new heuristic approach. Two additional years of research, modeling, experimentation, and testing proved that VAC’s heuristic approach results in an underlying Iq in each tube that is always within 1% of the set target Iq under all conditions, from silent passages to the most explosive and sustained musical peaks, and in the process, ensures that the individual tubes as well as the overall output stage are always delivering optimal performance.

The VAC iQ Continuous Automatic Bias System (patent pending) is a true breakthrough in power amplifier design. It is not inexpensive, but, once heard, it is indispensable.

What Else Does It Do?
In addition to guaranteeing unparalleled fidelity, the VAC iQ System greatly enhances the reliability of the amplifier in several ways.

First, “run away” tube failures are eliminated. Run away tubes arise from one of two mechanisms. The first is a “gassy” tube, the Iq of which tends to rise on its own until it goes into positive thermal feedback; the VAC iQ System prevents that cycle from ever starting. Interestingly, through observation of the operation of the VAC iQ circuit, it has been revealed that such tubes actually tend to be relatively “cold” tubes, which users ordinarily “crank up” thorough bias adjustment.

The second run away mode occurs when a tube is set to run at a relatively high iQ and then randomly drifts a bit higher or becomes physically hotter through sustained loud musical passages. The VAC iQ circuit detects any move to a higher iQ and automatically corrects for it, and once again, the run away cycle is never allowed to start.

As part of its operation, the VAC iQ System can tell when a tube is becoming weak and notifies the user that it should be replaced when convenient, while still making the best of its remaining life.

Lastly, it is always possible for a mechanical break to occur within a tube, resulting in an internal short circuit. No adjustment of bias can fix this, so if this occurs, the VAC iQ System automatically shuts off the high voltage power supply within a fraction of a second, long before a conventional fuse could blow, and illuminates a red LED to indicate which tube has failed.

Summary
The VAC iQ Intelligent Continuous Automatic Bias System advantages:

- Always the best sound

-No user adjustment

- Supreme reliability

-Longer tube life

-Indication of weak tubes

-Automatic protection from and indication of failed tubes

Final Note
The principals of the VAC circuit are applicable to solid-state devices as well as vacuum tubes. Development and licensing of these applications will be considered.

VAC’s own Kevin Hayes will be discussing the VAC iQ System next week at 2013 International CES in Las Vegas January 8-10 in suite 30-125 and suite 30-127 at the Venetian Towers.

_________________
Speakers: Wilson Alexandria X-2.2 Preamp: Momentum HD Preamplifier Amp: Dan D'Agostino Momentum Stereo Amplifier Source: MSB Analog DAC with Analog Power Base and Premium QUAD USB2 Cables: Transparent Reference XL MM2


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 03/01/13 21:30 
חבר האתר

סמל אישי של המשתמש

הצטרף:
21/09/08 04:12

הודעות: 7061
Genesis 10th Anniversary Show: International CES 2013



To mark the beginning of our second decade in business, we are going to pull out all stops and make this a CES to remember. I've been avoiding bringing anything big to CES because ever since we moved to The Venetian, we couldn't pull a semi- up to the door and unload one of our big speakers. Well, this year my partners have finally convinced me that we need to show one of the Genesis line-source loudspeakers at CES. The room certainly isn't big enough for the Dragon, but thankfully we have Junior! Still, at over 6 feet tall and 220lbs, he's a big boy.



תמונה

With a 48-inch midrange, 15 tweeters, two 12-inch woofers and 1000W built in servo-bass, the room is going to be barely large enough..... and might even be just a little too small. I'm always advocating the appropriate sized speaker for any room, and in this case, I'm going to bend my own rules a little..... but thankfully we can turn the bass gain down.

To match the back end, the front end is going to be the awesome TechDAS Air Force ONE. I discovered this turntable as my distributor in Hong Kong had one in the same room as the Genesis Dragon. Just last month, we demo'ed them together and knocked the socks of everyone who came in for a listen. Thanks to Nishikawa-san for sending me one to demo with!!



תמונה

This is the turntable that Harry Pearson calls "in a class by itself" and says "LPs played back on the Air Force ONE have a life that they just do not with any other table in our experience". http://www.hpsoundings.com/2012/11/r...one-turntable/

I'll update with the rest of the gear as things settle down. At the moment, the tonearm is still going to be a surprise. It's a new tonearm that is still in development by one of the greatest turntable/tonearm designers I know. He's still machining and sawing and filing away

_________________
Speakers: Wilson Alexandria X-2.2 Preamp: Momentum HD Preamplifier Amp: Dan D'Agostino Momentum Stereo Amplifier Source: MSB Analog DAC with Analog Power Base and Premium QUAD USB2 Cables: Transparent Reference XL MM2


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 04/01/13 23:57 
חבר האתר

סמל אישי של המשתמש

הצטרף:
21/09/08 04:12

הודעות: 7061
Light Harmonic Introduces Da Vinci Dual DAC


Light Harmonic, a 2013 Innovations Award honoree, is proud to introduce the Da Vinci Dual DAC at CES 2013, Rooms #29-326 and #29-328 of the Venetian.

Light Harmonic has steadily redefined the state of the art in digital playback since its founding in 2010. Light Harmonic's Da Vinci DAC utilizes unique, proprietary design elements to set a new standard of fidelity and musicality in digital music reproduction:
A 384K/32 Bit Asynchronous USB input which accepts genuine 384K/32 Bit pulse code modulation (PCM) digital audio without artificial up-sampling.
3-L Buffering provides a jitter-free, three-layer elastic buffer between the music source and digital sample conversion, completely decoupling speed fluctuations in the source, and enabling Da Vinci to convert music samples using the most accurate core clocks.
3X Clocks provides on-the-fly selection of one of three highly precise -166dB phase-error clocks, according to the sample rate of the input file.
However, even Da Vinci's amazing performance was capable of being improved-upon: a DAC designed for PCM playback will not offer
optimal performance with DSD, nor will a DAC designed for DSD extract the best performance from a PCM source.

The new Da Vinci Dual DAC eliminates all constraints in performance by providing completely separate and discrete decoding engines for both formats: one designed and optimized specifically for PCM, one designed and optimized specifically for DSD--hence, the name "Dual DAC".

The new Dual DAC will be demonstrated in a system featuring components from Dan D'Agostino, Wilson Audio, Pass Labs and MIT Cables, with a sneak peek at an exciting new, cutting-edge music server and a trend-setting streamer from Light Harmonic. We invite all media, dealers and distributors to take a look, and a lengthy listen.

The Light Harmonic Da Vinci will also be playing in the following rooms at the Venetian:

#29-325, with MIT Cables;
#29-126, with Alfred & Partners/Estelon and Vitus Audio;
#29-130, with Alluxity by AVM-TEC and Estelon.

_________________
Speakers: Wilson Alexandria X-2.2 Preamp: Momentum HD Preamplifier Amp: Dan D'Agostino Momentum Stereo Amplifier Source: MSB Analog DAC with Analog Power Base and Premium QUAD USB2 Cables: Transparent Reference XL MM2


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 
 נושא ההודעה: Re: CES 2013
הודעהפורסם: 05/01/13 00:09 
חבר האתר

סמל אישי של המשתמש

הצטרף:
06/06/09 16:42

הודעות: 10536
זה אותו DAC של Light Harmonic?
כי מחיר השקה היה 10K$, שנה שעברה זה היה 20K$ ועכשיו זה 30K$
לא מבין אותם, לדעתי זה דבילי ככה לשחק עם המחירים

_________________
מיכאל


חזור למעלה
 פרופיל אישי הסטאפ שלי  
 

פרסם תגובה פרסם נושא חדש עמוד 1 מתוך 2   [ 12 הודעות ]
עבור ל:  
עבור לעמוד 1, 2  הבא

הצג הודעות החל מה:  מיין לפי  



חפש:

hifimusic
אודות
תנאי שימוש
צור קשר
אוהבים את
hifimusic?
סקירות אודיו
הכל
הגברה
רמקולים
מקורות
אחר
סקירות מוזיקה
הכל
קלאסי
ג'אז
פופ/רוק/אלטרנטיבי
עולם/ישראלי/אחר
קישורים
מותגים על פי שם
מותגים על פי יבואן
מומלצים
הפורום
הרשם
לוח בקרה
הודעות אחרונות