רמקול היי אנד במחיר שפוי מהחברה האמריקאית המוערכת:
רמקול בשרני ודינאמי עם בס בריא במסורת ארצות הברית של אמריקה. יחד עם זאת שקוף ומפורט.
מחירון 5500 $ בחו"ל בארץ קרוב ל 30K
מבקש 12000 ש"ח - גמיש ואפשר להציע החלפות.
ניתן להאזין אצלי במערכת איכותית.
ינון
0547641258
The Fontaine II loudspeaker is a two-way, three-driver design, and makes use of very high-quality drivers sourced from Morel and Dynaudio. The two Morel 6" damped polymer composite woofers feature over-sized 3" voice-coils and double magnet construction to optimize linearity, dynamic tracking and power handling. The Morel woofers operate in parallel up to 2kHz, where they cross over to a 1.1" Dynaudio Esotar tweeter. The Esotar utilizes a silk dome and approximates free-air loading via an oversized vent on its pole piece and an aperiodic damping chamber. Like the Morel woofers, the Dynaudio tweeter is designed for extremely high power handling coupled with low distortion and superior linearity at all power levels. The Fontaine II's crossover is of commensurate quality, employing Hovland MusiCap capacitors and Vishay resistors in a 2nd-order, 12 dB/octave configuration. These electrical components were chosen by EgglestonWorks for their sonic transparency and power handling qualities. All internal wiring is by Transparent Cable. Single-wire cable connections are provided via a pair of Cardas five-way rhodium binding posts. Unlike some of the more expensive EgglestonWorks loudspeaker models, which utilize Isobaric and modified transmission-line loading for the bass and midrange drivers, the Fontaine II makes use of conventional bass-reflex loading for its woofers via dual ports located on the rear of the cabinet.
The Fontaine II's cabinet walls are comprised of two five-eighths-inch thick MDF wood panels glued together with a special dampening compound designed to reduce vibration and resonances. Combining the dual MDF panels with this dampening compound reduces cabinet vibration by an order of magnitude over just the MDF alone. A precision CNC lathe is used to cut the panels to an exacting tolerance of four ten-thousands of an inch. The cabinet slopes back five degrees on both the front and rear to time align the drivers and assist with the breaking up of internal standing waves. The top of the cabinet is quasi-trapezoidal in shape to reduce the effects of diffraction and enhance aesthetics. In order to further banish the pernicious influence of resonances, each Fontaine II cabinet is liberally stuffed with a non-settling acoustic material known as AcoustaStuff.
After construction is completed, each Fontaine II cabinet undergoes eight hours of finishing, during which time a dedicated EgglestonWorks craftsman performs several stages of sanding and polishing to attain a flawless appearance. The standard EgglestonWorks finish is piano black, with other finishes available by special order. The included grille cloths affix to the Fontaine II cabinets magnetically. Four massive spikes are included for coupling the cabinets to the floor, and upon request, EgglestonWorks can provide spike coasters for users with hardwood floors.
Each EgglestonWorks Fontaine II loudspeaker measures 41" high by 8.5" wide by 14" deep, and weighs 62 pounds. The stated frequency response is 41Hz - 24kHz (+/- 3dB). The nominal impedance is 8 ohms, with a minimum rating of 6.27 ohms. Sensitivity is 89.6dB, and power handing is 200-watts continuous, with 1000-watts capacity for short-term transients. EgglestonWorks provides a six-year warranty on all its products.
Given that the majority of EgglestonWorks' loudspeaker offerings are large and very heavy, not to mention expensive, it's not surprising that the company packs these products in crates or crate-reinforced boxes, and transports them via consignment freight shippers. What did surprise me was that this practice is also extended to the smaller, lighter and less expensive Fontaine II model. The Fontaine II speakers arrived at my door in perfect condition via consignment shipper. The packaging was outstanding, with each speaker packed separately in large cardboard boxes with wood crate pallets on the bottoms. Inside the boxes, the speakers were wrapped in plastic and surrounded by copious amounts of soft foam for additional protection against any shipping-induced trauma. My Fontaine II speakers were finished in the standard piano black, and the appearance was simply exquisite.
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