עוברים דירה ואין מקום מערכת:
- רמקולים של Totem Acoustic דגם Forest כולל תוספות של היצרן (פורניר דובדבן אמתי ו-beak לטיפול ברזוננס)
- מצב מצוין (עם קרטונים וחומרי אריזה מקוריים)
- רמקול מפורט מאוד, עם בס הדוק ומרשים ביחס לגודל התבה
- עדיין בייצור (עולה היום בארה"ב כ-4500$)
- 5000 ש"ח
- זכו לביקורות טובות במשך 15 שנה:
Indeed, the Forests’ strong suit relates to how they offer a healthy dose of resolution without crossing over to the dark side of harshness. However, the speakers will reveal shortcomings in your gear if it is not up to par. Connect the Forests to a budget solid-state integrated and you will probably be disappointed. But don’t point your finger at the Forests. Spend a few extra bucks on some worthy components (I suggest a nice tube amp), some decent cable, and I suspect you will share my amazement in hearing that $3,500 speakers can sound this good. TONE is proud to award Totem one of our first Exceptional Value Awards for 2011. -Jeff Dorgay

- פרי דגם MP100 של Myryad
- פרי מצוין עם שלט לכל הפונקציות (עובד מאולה)
- במצב חדש, כולל האריזה המקורית
- כניסה אזניות באיכות גבוהה מאוד (Class A)
- 2000ש"ח

- סט מונובלוקים של Crimson דגם 630C
- במצב חדש, כולל האריזה המקורית
- צליל טבעי עם עצמה (שני ספקי כוח)
- 5000ש"ח
- חלון למוזיקה:
Crimson electronics do not enrich, fill out, round off, blend. They achieve beauty but are not solicitous: they do not sweeten, add ‘a touch of soul,’ a calorie or two of warmth, or a touch more body. They are exciting: they have that elusive quality often called drive or jump, the former in rock and the latter in Bach cantatas. They are wonderfully clear — they can search through and sort out recordings, finding all kinds of interesting things in them. They are unaffectedly beautiful, and perfectly balanced, from bottom to top, especially if you have the good sense to plug them directly into your AC outlets with stock Volex AC cords, bypassing even very good line conditioners and after-market power cords. They capture the leading, defining edges of instruments before securing the body: they are tactile. They are not at all bright, nor are they dark. They are neither noticeably warm nor cool. They seem to give us everything on the recording but they do not exaggerate anything — they are a window not a magnifying glass. They make us feel we are looking directly at the musicians and their instruments — there is nothing between them and us, not even the bloom of air many have long believed essential. They seem to snap things into focus, making many other presentations seem…well unfocused.

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