the Quatro Wood CTs opened a clean, wide, deep, detailed window into the acoustic of London's Royal Albert Hall. That's primarily what I want from a pair of loudspeakers—not deep bass (which these Vandersteens do have); not wide dynamics (at which the Wood CTs excel); not clean, uncolored mids and highs (something the Vandersteens readily offer); but a stereo virtual reality engine to connect me with the music I want [to] listen to. On that ground, a pair of Vandersteen's Quatro CTs scores big-time.